| nepal

TARAGAON NEXT
ENGAGING COMMUNITIES THROUGH MUSEUM, ARCHIVES, AND ACTIVITIES
Roshan Mishra
LA80
Taragaon Next is a futuristic community space featuring a museum, gallery, amphitheatre, cafe and sculpture garden. It engages diverse audiences through exhibitions, educational programmes and contemporary art initiatives that promote culture.
Nepal, a country rich in cultural diversity and historical significance, is a treasure trove of stories waiting to be told. Museums, archives, and the art of curation play pivotal roles in preserving and showcasing these narratives while nurturing community engagement and education. Taragaon Next has become a unique institution in Nepal, contributing to preserving cultural materials, promoting historical awareness, and connecting communities.
It has been nearly 11 years since the old Carl Pruscha building* was restored and announced as the Taragaon Museum.
The vision of the Saraf Foundation became even stronger and more prominent with the announcement of the Nepal Architecture Archive (NAA) in 2016. The foundation continues to collect the modern history of Nepal that might otherwise have been lost or discarded. These materials are now accessible to the public through the Taragaon Museum within Taragaon Next.



 
CURRENT ISSUE LA80
| editorial

SHARED HISTORIES,COMMON VALUES-II
NEPAL | BHUTAN | BANGLADESH | MYANMAR


| nepal

MOUNTAINS, PEOPLE, BIODIVERSITY
GRAPHIC MAP
Rohan Chakravarty


NEPAL
NOTES
Rohit Ranjitkar


TARAGAON NEXT
ENGAGING COMMUNITIES THROUGH MUSEUM, ARCHIVES,
AND ACTIVITIES
Roshan Mishra


GARDEN OF DREAMS
Rashmi Gautam



| bhutan

IN HARMONY WITH NATURE AND CULTURE
Dorji Yangki


THIMPHU’S STRUCTURE PLAN
CCBA Designs



| bangladesh

LIVING WITH A DELTAIC GEOGRAPHY
Khondaker Hasibul Kabir


Urban River Spaces in Jhenaidah
Khondaker Hasibul Kabir


AN ARCHIVE OF SOUTH ASIAN ARCHITECTURE AND URBANISM
Rupali Gupte


ONE WHO DWELLS NEAR THE GROUND
THE MOTHER TONGUE OF ARCHITECTURE
SELECTED WRITINGS OF KAZI KHALEED ASHRAF
Review by Rajat Ray



| myanmar

NOTES
Raphaël Ascoliel




SELECTIVE
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