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EDITORIAL
With passing away of the distinguished art historian and critic, Dr. B.N. Goswamy, the art world mourns the loss of a luminary whose profound contributions, especially in the realm of miniature paintings, have not only deepened our understanding of various art genres but have also charted new territories. Narender Dengle pays tribute to Dr. Goswamy reviewing a book that explores the making of Amit Dutta’s film on Nainsukh, the 18th-century miniature painter from the Pahadi School. Dr. Goswamy’s eloquent studies of Nainsukh’s works have undeniably left an indelible mark on the discourse surrounding this artistic tradition. The legacy of his scholarly pursuits will undoubtedly continue to inspire generations of art enthusiasts and researchers.
Shifting focus to the design realm, presentations emerge as a language through which designers convey their impressions. The studio work by students of KRVIA, Mumbai in the Braj region stands as a unique exercise, reflecting upon the culture of the area. These presentations intricately weave a narrative that encapsulates the essence of the place, entwining religious mythology and nature, including forests, hills, and rivers.
Art and design intersect in an essay by Saptrishi Sanyal, challenging the rigid frameworks of “protected” and “designated” conservation areas around Santiniketan, the World University, West Bengal. Sanyal argues for an understanding of these areas in the context of their organic nature, advocating for a more dynamic approach to preservation.
The exploration continues into landscape architecture with a focus on Gurugram, where the restoration of degraded lands takes center stage. Restoration of Sikanderpur Forest by JRA Design is an example of transforming these lands into experiential public spaces, showcasing a commitment to sustainable and costeffective design.
Kazi Khaleed Ashraf, Director-General of the Bengal Institute of Architecture, Landscapes, and Settlements in Dhaka, introduces his new book, The Great Padma. The book profiles the journey of the river across regions through different lenses—geographical, environmental, and social. In a broader overview, he delves into various aspects related to environmental, design, and planning aesthetics, offering insights into shared histories of Bangladesh and India.
Welcoming Rajat Ray, an urban designer and erudite academician, to the Journal’s Advisory Board marks a significant addition. His expertise promises to enrich the discourse and point towards new directions of knowledge and thinking.
As the year draws to a close, the Editorial Team expresses hope that the upcoming New Year will usher in new possibilities in creative spheres. May it bring joy and tranquility to everyone, paving the way for happy and peaceful times ahead.
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UNVEILING THE UNKNOWN
RAJOO PRADHAN
Bhakti Thakoor |
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NEST OR PROPERTY
SOME REFLECTIONS ON SANTINIKETAN’S
WORLD HERITAGE STATUS
Saptarshi Sanyal |
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THE GREEN BLUE
SIKANDERPUR FOREST | GURUGRAM
JRA Design |
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DYNAMICS OF NATURE AND CULTURE IN DELTAIC GEOGRAPHY
In conversation with Kazi Khaleed Ashraf |
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IN RESEARCH, DESIGN & POLICY
In conversation with Manu Bhatnagar |
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BRAJ
ARCHITECTURE OF THE PARIKRAMA
USM’s Kamla Raheja Vidyanidhi Institute for Architecture & Environmental Studies KRVIA, Mumbai |
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