| archaeology and memory

INSCAPES
Premjish Achari
LA83
The photo essay aspires to move beyond mere archeological documentation. It attempts to create a form of visual narrative capable of eliciting emotion through images and texts. This integration of text and images is motivated by the exploration of “inscapes” of the archeological sites of Ratnagiri and Lalitagiri, to excavate their reflective and emotional depths. The accompanying reflective captions act as introspective bridges, linking the visual experience of the historic sites along with their “inscapes.” This task involves reflection, a complicated process of navigating through the personal connections and emotional reflections to the objects or sites one encounters. The accompanying concise explanations aim to enhance the visual narrative, connecting specific photographs with the viewer’s internal journey, thus translating the silent language of ruins into a meditative process.



 
CURRENT ISSUE LA83
| editorial

ARCHAEOLOGY+LANDSCAPE [2]
ARCHAEOLOGY AND SITE INTERPRETATION


| landscapes in archaeology

LANDSCAPES IN ARCHAEOLOGY
Smriti Haricharan


CHOOSING A LOCALITY, CREATING A CAVE
BANDHAVGARH NATIONAL PARK AND TIGER RESERVE
Nayanjot Lahiri


SILENT TESTIMONIES
RESILIENCE & RESISTANCE IN DELHI’S ISLAMIC MONUMENTS
Book Review | UNRULY MONUMENTS: DISRUPTING THE STATE
AT DELHI’S ISLAMIC ARCHITECTURE
Review by Abhinav Mishra


EVIDENCE OF A ‘HISTORIC’ SERVICE
Book Review | THE MARSHALL ALBUMS: PHOTOGRAPHY AND ARCHAEOLOGY
Review by Rajat Ray


INSCAPES
Premjish Achari


EXAMINING METHODOLOGIES AND APPROACHES
CONNECTING LANDSCAPES AND ARCHAEOLOGY

Parul Munjal & Tavishi Gautam


A LANDSCAPE WOVEN THROUGH TIME
VADODARA
Parita Jani & Urvish Bhatt


| unravelling layers

GARDEN ARCHAEOLOGY AND DESERT WATER HARVESTING
BARADARI COURT AT AHHICHATRAGARH FORT | NAGAUR, RAJASTHAN
Kathryn L. Gleason, & Ribhya Aurora


ACCORDING TO THE EVIDENCE
KARNATAKA
Sriganesh Rajendran


| tribute

WITH THE RHYTHMS OF NATURE
KONGJIAN YU
Geeta Wahi Dua & Brijender S. Dua
































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